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Review

A review by Athi Mongezeleli Joja

Resubjugating the Black Body: A Review of Steven Cohen’s ‘Magog’

A review by Luca Evans

The Dog Is Chasing Its Tail: Tshepo Sizwe Phokojoe’s ‘The Gods Must Be Crazy’

A review by Tiyani Rikhotso

Precarious Times: Svea Josephy’s ‘Cities of the Future – In the Past’

A review by Lukho Witbooi

Signposts to Personality: Sthenjwa Luthuli’s ‘Umkhangu/Birthmark’ at the Norval Foundation

A review by Nkgopoleng Moloi

To imagine a beautiful life as possible: ‘A Funeral For…’ by Zara Julius in collaboration with...'

A student review by Mbusi Mzolo

Ewww: Zama Cebsile Mwandla’s ‘Disgust, Fear and Hell’ at the KZNSA Gallery

A review by Nolan Stevens

Those who can: ‘IMPACT is a verb’ at FADA Gallery

A student review by Ellen Augustyn

Recalling: ‘Reflections of a Queen’ at AVA Gallery

A student review by Drew Haller

After the Anthropocene: Stefan Raubenheimer’s ‘Remember This Land’ at AVA Gallery

A review by Zada Hanmer

Caught in the Matrix: ‘Force Majeure’ at Vela Projects

A student review by Tara Hall

What Remains: Adelheid Frackiewicz’s ‘Drawing the Line’ at AVA Gallery

A review by Winnie Sze

Of Rivers and Beauty: The 36th Bienal de São Paulo

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Richard Mudariki, Grilled, 2014. Chine-colle etching, 34 x 41 cm

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