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Review

A review by Nolan Stevens

Those who can: ‘IMPACT is a verb’ at FADA Gallery

A student review by Ellen Augustyn

Recalling: ‘Reflections of a Queen’ at AVA Gallery

A student review by Drew Haller

After the Anthropocene: Stefan Raubenheimer’s ‘Remember This Land’ at AVA Gallery

A review by Zada Hanmer

Caught in the Matrix: ‘Force Majeure’ at Vela Projects

A student review by Tara Hall

What Remains: Adelheid Frackiewicz’s ‘Drawing the Line’ at AVA Gallery

A review by Winnie Sze

Of Rivers and Beauty: The 36th Bienal de São Paulo

A review by Keely Shinners

The Underside of Making: Kamyar Bineshtarigh’s ‘Group Show’ at Southern Guild

A review by Sihle Motsa

Flight from Form: donna Kukama’s ‘Fire on the Mountain’ at blank

A student review by Zimkhitha Mabonga

False Hope: Kamva Matuis’s ‘Spes Bona’ at Lemkus Gallery

A review by Nkhensani Mkhari

New Suns: ‘Re:Fuse-Ability’ at FADA Gallery, University of Johannesburg

A review by Tiyani Rikhotso

Poetic Impressions: Tumelo Mtimkhulu’s ‘I, one drop plus one drop makes a bigger drop, not...'

A review by Lukho Witbooi

But there is one world: ‘Thresholds’ at Southern Guild in Cape Town

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Design by Blackman Rossouw

Guy Tillim, Tshililo (right) and her friends share a one-roomed apartment in Cape Agulhas, Esselen Street, Hillbrow. Pigment inks on archival cotton rag paper, 42 x 59.4 cm

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